Wednesday, October 23, 2013
LOUY and Tim's Validation
"Louy"
12x12" oil on canvas
SOLD
Meet Louy! I so appreciate his pet parents patience, thank you so much. Louy, unfortunately, is also no longer with us. I hope the painting helps to bring his memory closer to those who miss him so very much.
I think I'm beginning to prefer the smoother linen surface to this heavyweight canvas. I think, not really sure yet. We'll see. Wow, that was not a real smooth segue, sorry, but...
Moving on, I'd like to thank you for all of the comments on the palette knife painting! I appreciate them so much! Clearly, I wasn't sure about that painting at all, but the comments and a sale shut me up and steered me in the direction of.... hell yeah! Let's do another! Maybe. I think. We'll see.
And, I know it was a tease and a set up to mention that I couldn't wait to share Tim's validation of his presence while painting his birthday portrait and then not do it, but I couldn't help myself... so I'll dive right in:
First, it should be explained that I have a deep and abiding love for peanuts. In the shell. Roasted. No salt. Love em. And lately, I've been eating far too many of them so I swore, during the painting of Tim's portrait, that I would resist temptation and not buy any.
So I finished painting him on a Friday. Having spent the previous two weeks in the studio with himself and feeling pretty satisfied, I determined that a reward was in order. And what better than a nice, big bag of roasted, unsalted peanuts! Fridays are particularly difficult as I've shared previously, so why not? Have at it Suz, you deserve it.
So at the market, ignoring the siren's call of the seductive aromas emanating from the bakery department, I headed for the produce section...the healthy produce section...and scored a bag of my favorite brand. I can always rationalize that they are indeed good for me, just not in the mass quantities that I enjoy consuming. As I placed the bag on the conveyer belt, I promised me that I would make it last all weekend and not mindlessly chomp away while mesmerized by the flat screen.
Of course, come time to hit the sheets, the bag was all but empty. More than a bit disappointed with myself, I rolled it up and deposited what was left in the kitchen cupboard. Damn peanuts!...I swore to myself, why is that I can't feel this way about carrot sticks, broccoli or even pretzels?
The next day Laura, our friend from the job, was due to stop by for a visit. Since Tim passed, Laura has become a very close and trusted friend. She was, like most of the folks Tim worked with, very upset when he left us and she has been incredibly attentive, kind and patient as I make my way through my days without my best friend's physical presence.
I had emailed an electronic version of the portrait for her to see earlier in the week, so after our greeting at the door, she rushed past me and into the studio to have a look at it. As I joined her, she was excited to share a dream that she'd had the night before but wasn't sure what it meant. Maybe, she said, I could make sense out of it.
In the dream, I was standing in front of the painting and working on it while she stood behind me watching when she heard a voice say..."I was here!" She turned to see Tim standing in the corner of the room! He wasn't clearly solid but she knew it was him and she was very excited and wanted to let me know he was present so she implored him to...."give me something so I can let Suz know you were here!"
With that his arm came forward, now becoming more solid. He extended his hand, palm up, fist closed. As he slowly opened his hand, there in the middle of his palm was a lone peanut, unopened, in the shell!
"That was it!" she said looking confused. "I can't understand why he didn't show me a pistachio nut since you told me those were your favorite!" (which they are but so high in calorie I try to limit my exposure to them).
I too was confused and wondered as well why he would show her a....WHOA!!...WAIT...a peanut?? I ran into the kitchen, retrieved the now almost empty bag and ran back to show her what I had almost finished night before!! I then went on to explain my decision to buy a bag to reward myself for finishing the painting and how I was going to try and not consume them in one sitting.
WHAT??? I was so excited! I cried tears of joy and relief and we both were so shocked all we could do was laugh and run from room to room while Laura kept repeating..."you're kidding...you're kidding right...are you kidding?" We were both pretty freaked out. So much so that when my friend Jason, the contractor arrived to attend to something, and I began to introduce them to each other, I forgot his name! I'm still apologizing for that!
Now those of you with more rational minds might think I'm making this stuff up or imagining it because I miss him so much. I've always been interested in the mysteries of the other side and now, for obvious reasons, it's become my passion, so each time something like this occurs I go from elated to inquisitive to dismissive and back to elated again, all in the span of five minutes! It's pretty incredible and as much as I need and want these kinds of interactions, it's hard to believe that something you want so very much is right there in front of you and has actually taken place!
The medium, George Anderson, said that anytime there are coincidences, or sightings or feelings and dreams, to accept them as a loved one making contact. He went on to say that it's fine that some folks might think I'm koo-koo. It's not about that, it's about what makes me feel good, what makes it easier to get through the day and know with my heart that Tim is always near and will never leave my side.
What puzzles is my inability to dream and contact him directly although George insists I do but just don't remember. I can see the wisdom in that. I wouldn't do much vertically if I could recall spending time with him in my dreams at night. In fact, I'd most likely spend most of my time sleeping. I only remember two distinct times. One the first night after he left and the second seeing him in a big comfortable chair, laughing during what felt like a party. But that was for just a few minutes and I remember being quite put out that he didn't seem the least bit excited to see me. But, since I'm told we're together most nights, I gave him a pass.
I recently stumbled upon a blog, http://www.channelingerik.com/, maintained by a grieving mom whose son committed suicide in 2009. She chats with him daily through a medium and blogs about what he says about the afterlife. I'm also reading her book, "My Son and the Afterlife." It's fascinating stuff. I've been researching a lot and am bowled over by what I've found and read.
Until one loses someone, it's impossible to imagine how one might react or might try or believe in and do to regain some kind of contact and for me personally, it's about getting through each day with a positive and grateful attitude. It's not about what's believable, what's possible or real or about me being koo-koo or anything else, it's about feeling good, it's about living on and knowing that you'll see that person again, about being grateful and full of joy recalling the time spent together on the physical plane, about embracing what is and accepting and finding peace. This happened! There are no backsies, no do-overs, no if only-ies. I can deny it, refuse to accept it, get angry at the Universe, fate, my own inability to save him, all of which I've done at times, but none of that will change what happened or help me.
Without acceptance there's just darkness. Emptiness. And that's not what this is about. Personally I don't believe that the death of the body is a punishment, some kind of lesson, or a permanent loss. It's just a different state of consciousness. I have horrible spans of time where all I do is cry but it passes and then the sun comes out and I feel him near. I firmly believe that if one maintains an open, kind, giving, compassionate and grateful attitude, our loved ones who've moved on are closer than we can possibly imagine and will find ways to show us just that, even if it's with one single peanut in a shell!
Thanks so much for visiting and again, many many thanks for your patience, interest and kindness. And also again, attempting to convey how much it means to me is just not possible with words.
Tuesday, October 15, 2013
Monday, September 30, 2013
IN CELEBRATION OF YOU...
"Tim"
24x24" oil on Fine Belgian Linen
NFS
His actual birthday is October 1st, but I'm posting today. I've been wanting to paint his portrait again and I felt the time was right so I decided to do one for his birthday. We weren't fond of having our photos taken so there is, unfortunately, a limited supply of snaps to choose from, however I did find one that hit the sweet spot. The reference shot for this portrait was taken very soon after we found each other, he's wearing that striped shirt that I loved so much.
His second birthday after leaving his earth suit behind finds us doing fairly well. As I've said in previous posts, I've decided to fully embrace his presence and chat with him constantly, even as I watch TV shows, movies and documentaries I know we'd enjoy together. I would give anything to hear him talk over the dialog the way he used to. We were forever rewinding.
Again, hopefully, I haven't overstayed my welcome with my endless anecdotes and stories about how incredible he was. To this day, he is without doubt, the nicest human being I've ever met. Of course, he got angry, like the rest of us, but it was always a controlled, low key kind of anger. I remember once at work, something happened and he looked at me and said, very calmly..."I'm seething right now." Oh, really, I quipped...how can you tell? As one would expect with Tim, he was amused.
I miss his physical presence in a way that defies explanation but his spirit is ever present. I carry a printout of the session I had with the famous medium George Anderson in my journal and read it when I feel the need to. It's the most amazing document. Even now, it's difficult to wrap my mind around it. Basically, it is that "one more phone call" or that "one last visit" we beg the Universe for when a loved one passes away. It's a gift I know he found a way to give me so I would understand that he's perfectly fine and know he is always near.
I'd like to share this one section George related that day that really touched my heart if you don't mind:
"....he's still very positive, good with people. Just meeting him this way, you can feel he's very likeable, very tranquil over there, very peaceful. I'd have to say that if someone on this side didn't like him for some reason...I'd have to say that it's their problem because he's just such a wonderful spirit!"
That was only one of many indicators that Tim did indeed join us in the room that day. The whole thing still freaks me out a bit, still gives me the chills, every time I read it. And I don't read it as often as one would imagine, it's a lot to take in.
I've included another scale shot as the canvas is rather large at 24x24 inches. I can't say enough about Masterpiece Fine Belgian Linen. It's the first time I've painted on the portrait smooth version and it's like butta! What a wonderful experience. I would highly recommend it if you haven't tried it yet. Also my Catalyst brushes are really doing well. Maybe the one that's frayed already was having a bad hair day. But that said, I think I'm home in terms of process, supplies and environment. Or maybe it was just spending this entire last week with himself.
Again, thank you from the bottom of my heart for your continued support, caring and wonderful comments, about my work and about Tim. They are appreciated and treasured more than you can know.
I have the distinct feeling that my posts will be much brighter from here on in...mostly!
Thursday, September 19, 2013
Sunday, September 15, 2013
Friday, September 6, 2013
A VERY BIG FLOWER
"Peony"
30x30" oil on heavyweight canvas
SOLD
I've never painted a flower. Leaves yes, but not a flower. I've always wanted to, but just couldn't seem to snap the right photo of one. There are hundreds in my file, you'd think I'd find one that hit the sweet spot. But no. Heavy sigh. So it was off to a stock site to make a purchase. Glad I gave in, it was fun.
This really isn't finished, it's one of those paintings that could go on forever, but I decided to call it because, not to break form, I'm way behind.
I've found that pre-mixing my palette really helps my flow, as I've mentioned. I would always run out of what I needed and now I don't! Plus, I realized that taking the paint out of the plastic container and putting it onto the palette paper was a wasted step, so now it's out of the freezer and onto the tray, still nestled in their little plastic homes. I loved this selection of colors, it looks like sherbert.
I also discovered that I have been growing as an artist! Who knew? Back in the day, I would have painted each one of those curly french fries in the center, one by one—shadow, mid tone and highlight! Instead, I found the darkest shade and splashed that in and then when that was dry I picked out the shapes with lighter shades.
I've included the scale shot even though this canvas is much smaller than the ones that I've been working on of late, but still rather large for a single bloom. I'm really hooked on Blick's Heavyweight pre-stretched. They just feel so substantial and the paint just seems to glide on.
Also, I found some great brushes there as well. I've written before about trying to extend the life of my brushes but basically, if you use them, they deteriorate. These new Princeton Catalyst Polytip Brushes seem to be just what I've been looking for. They feel wonderful on the canvas and clean up doesn't seem to be disturbing their 'do! Nice. We'll see.
I cannot believe that summer is almost over! My second summer without Tim physically here was strange. Last year, I guess I was still in shock, plus there was construction going on most of the time. The confusion and distractions helped. This summer however, it was left to me to keep myself busy and out of the pity pot.
I failed these last few weeks but that's cool. The good news is that I feel him here all the time and have embraced the reality of his presence more often than not. Sometimes though, it's back to the "real" world and the emptiness and silence. But it doesn't last long. I realize there is nothing to be sad about. He's much happier, in fact he's perfect and he's here! Where's the problem? Yeah, I know it needs work. But, it's a choice. Reach for the good feelings, the bad ones don't serve any purpose that I can see.
After I snapped the scale shot I turned to look for something on the table and there, underneath was my cheering section and support system. Raz and Blu Berry! Pure perfection.
Sometimes they seem to be interacting with someone that I cannot see. Gee... I wonder who that could be?
Thank you for stopping by, your support and comments continue to help me grow.
Thursday, August 15, 2013
MOSES BOTKIN CHALLENGE August
"Eggs 2"
36x48" oil on heavyweight canvas
Yet another protein-packed canvas! Thought I'd be painting eggs for a stretch but I'm done for a bit after this I think. Too much protein isn't good for me!
My challenge choice turn came round and I chose an all white composition as this month's subject. This set up, believe it or not, is of 9 white eggs in a white bowl on a white background, but as you can see there was very little in the way of white to paint...which is after all, what attracted me to an all white challenge! The lessons in value and temperature are many.
I took this reference shot when I did my extensive egg photo shoot with the double yolks. When I suggested the all white challenge I'm sure I had this in mind. Taken from above, I loved the shot; it was graphic and had an element of abstract design that I thought would be so much fun to paint! It wasn't though, surprisingly enough. It did become a tad tedious. It's not completed, but I need a break and will put it away for another day. I think it's close enough to call though.
I had a hell of a time with the bowl and the eggs. I wanted smoother transitions from shadow to light but it just became splotchy. I feel a little betrayed by my larger Home Depot brushes. But, who cares? I worked, I was present, focused and involved. That is what's most important. And even if I'm disappointed in the outcome, handling that with emotional maturity is another part of the lesson. I don't know how many paintings I've abandoned only to find them years later and wonder what my problem was. I think, with this one though, I missed the color!
Here's the scale shot, juxtaposed fittingly next to their cracked cousins. Again, thanks to Bren for the scale suggestion!
Quite surprisingly, there were, evident in the reference shot, shades of burnt sienna! Where, I wondered, could this color be coming from? Then I realized that it only showed up on the bottom of the eggs. They're snuggled up in one of those 21st Century bowls that are attractive but fairly useless. You know the ones I mean. The huge, oddly-shaped dishware that holds very little in the way of food but look really amazing with a handful of micro greens and one big shrimp!
This is one of those bowls. The front end is about two inches in depth and the top end is about eight, so the eggs settled toward the front end and gravity affected the yolks, the double yolks I should say, which made themselves known through the thin shell with that touch of burnt sienna. I guess. I can't imagine how white eggs in a white bowl would suddenly sprout a warm glow of sienna through their shells otherwise.
I hope the summer is going well for you all. And I wouldn't dream of closing this post without uttering just two more words...Tim Berry. Whew! There, thanks, I feel much much betta!
Oh, yeah, I almost forgot...if you have any interest in joining our happy group, please email Diana at diana@dianamosesbotkin.com.
Please enjoy these wonderful all-white compositions from the group:
"Study in White"
16 x 12" pastel
©V.N. Ross
"Basic White"
8 x 6" oil on canvas"
©2013 Diana Moses Botkin
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